Stitch Please

Bisa Butler

Episode Summary

In this episode of the Stitch Please podcast we are celebrating our 200th episode with Bisa Butler, a talented textile artist schooling us in the beautiful intricacies of Black possibility. Bisa’s work showcases historical images of Black life from the early 20th century in a multisensory format, incorporating fabrics, the feeling of the music that she’s listening to as she creates, and playlists that accompany her art to make that experience accessible to the viewer. Bisa shares the inspiration, techniques, and meaning behind some of Lisa’s favorite pieces, along with what she hopes to communicate through her art and the material of the fabric itself. They discuss why the missing piece in Ken’s wardrobe was a pair of tweed pants, their experiences as children seeing moments captured in black and white photography and film, and what it meant as a Black artist to study at Howard University, the alma mater of legendary geniuses like Zora Neale Hurston and Toni Morrison. PATREON SUPPORTERS get video access to this beautiful and powerful episode.

Episode Notes

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Lisa Woolfork

Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.

Bisa Butler

Bisa Butler is an award winning African American textile artist known for her vibrantly stunning larger than life sized quilted portraits that captivate viewers around the world. Formally trained, Butler graduated Cum Laude from Howard University with a Bachelor’s in Fine Art degree and it was during this time that she began to experiment with fabric as a medium and became interested in collage techniques. She then went on to earn a Master’s in Art from Montclair State University in 2005. While in the process of obtaining her Master’s degree, Butler took a Fiber Arts class where she had an artistic epiphany and she finally realized how to express her art. “As a child, I was always watching my mother and grandmother sew, and they taught me. After that class, I made a portrait quilt for my grandmother on her deathbed, and I have been making art quilts ever since.”

After working as a high school art teacher for thirteen years, Butler was awarded a Gordon Parks Foundation Fellowship in 2002 and exhibited in Switzerland during Art Basel with the Jeffrey Deitch Gallery. Many institutions and museums have acquired Butler’s work including the Art Institute of Chicago for a solo exhibition, The Smithsonian National Museum of African American History and Culture, and The Renwick Gallery of the Smithsonian American Art Museum.

Insights from this episode:

Why it’s important to uplift and encourage each other, starting with the children in our lives
How Bisa uses her art to affirm the dignity of historical figures
The process of researching historical figures and time periods to accurately portray them through art
How different colors play into the meaning expressed in her art
How Bisa infuses her quilts with the music she’s listening to as she creates
What happens when you stop starting with ‘white’ as a default
Insights into the difference between studying art education (teaching people how to make art) vs. learning how to make art yourself

Quotes from the show:

“I’m always seeking for truth and to find those essential truth elements about Black people.” – Bisa Butler, Stitch Please, Episode #200
“I have had people ask me, people who don’t necessarily look like us so they don’t have a full understanding, ‘I notice that you make all of your subjects look regal. Why, or what’s the process of that?’ I would say I’m just looking at them and this is the way they appear to me. I’m not trying to make them look regal; if anything maybe it’s just that you’re looking at them more carefully. The dignity or that inner regality, I can’t give it to them; they have it already.” – Bisa Butler, Stitch Please, Episode #200
“My interest in colorism is why the features look very African American. I don’t want to dilute that in any way. I’m loving our full lips, broad noses, or whatever the case may be.” – Bisa Butler, Stitch Please, Episode #200
“I love that word ‘talisman’ because it acknowledges that spiritual resonance and also having a mantra. We’ve always been very spiritual people and we’ve always been people who have to think hopefully and we have to think about the world beyond us or even after us. A lot of times we have to pray for our living relatives who we may not be able to protect in the way that we want to.” – Bisa Butler, Stitch Please, Episode #200
“Music is such a strong form of communication; it’s such a strong form of art because you don’t need words, you just need to hear the sound to understand somebody’s emotional output. The composer, musician, they can make you feel sad, they can make you feel happy, they can make your heartbeat go faster, they can make you go to sleep. That’s a control of power that can be passed down through the ages. The music, as long as it’s in a form that you can hear, you can hear how somebody felt hundreds of years before you.” – Bisa Butler, Stitch Please, Episode #200
“The music to me is more than an aid; it’s the explanation.” – Bisa Butler, Stitch Please, Episode #200
“For Black Women Stitch and the Stitch Please podcast we center Black women, girls, and femmes in sewing to make a deliberate choice to center Blackness. Also one of the things I’m studying a lot in my own work is the question of what happens when you stop starting with white… Stop acting like color is something that is new when white supremacy operates in this country deliberately through our laws and customs.” – Lisa Woolfork, Stitch Please, Episode #200
“We are the sum of all the people who came before us.” – Lisa Woolfork, Stitch Please, Episode #200
“Be kind to yourself. Be patient with yourself. Treat yourself like you treat other people; it will help you get your stitch together. Enjoy your life. Look at beautiful things. Take classes and learn, and be patient if things don't look or seem the way you want because we are all growing in this life together and you will get there.” – Bisa Butler, Stitch Please, Episode #200

Resources Mentioned:

Francis and Violette, 2001
The Holsinger Collection, Bill Hurley’s portrait, and Bisa’s interpretation: A Man’s Worth, 2019
This Here Flesh: Spirituality, Liberation, and the Stories That Make Us by Cole Arthur Riley (“You don’t give dignity, you affirm it.”)
Bisa Butler: Portraits at the Art Institute of Chicago and accompanying playlist
I Owe You Nothing by Seinabo Sey (song)

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Lisa Woolfork

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Bisa Butler

Website: Bisa Butler

Instagram: Bisa Butler

Twitter: Bisa Butler

LinkedIn: Bisa Butler

LinkTree: Bisa Butler

Email: bisabutlerart@gmail.com

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This episode was produced and managed by Podcast Laundry.